There's a technique that I noticed in some cartoons where detailed backgrounds are painted with an "imperfect" sort of feel to it. The lines are mostly loose. The colours focus more in lighting & shadows, sometimes not even in line with the lineart. The main subjects are drawn normally with minimal shading and details. See what I mean, here.
I kind of took some inspiration from that. I found that painting areas where there would be a lot of detail was a lot quicker and efficient than drawing every detail in the picture. I also found that painting with a more transparent brush that mimics how pain works in real life was quicker than cel shading because I could be looser and more laid-back.
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